Selma movie review & film summary (2014)

Theres a reason why Ava DuVernays film is called Selma and not King. Like Spielbergs Lincoln, Selma is as much about the procedures of political maneuvering, in-fighting and bargaining as it is about the chief orchestrator of the resulting deals. Selma affords Dr. Martin Luther King, Jr. the same human characteristics of humor, frustration and

There’s a reason why Ava DuVernay’s film is called “Selma” and not “King”. Like Spielberg’s “Lincoln”, “Selma” is as much about the procedures of political maneuvering, in-fighting and bargaining as it is about the chief orchestrator of the resulting deals. “Selma” affords Dr. Martin Luther King, Jr. the same human characteristics of humor, frustration and exhaustion that “Lincoln” provided its President. This relatable humanity elevates King’s actions and his efforts. It inspires by suggesting that the reverence for Dr. King was bestowed on a person no different than any of us. If he can provoke change, we have no excuse not to as well.

As King, David Oyelowo is a revelation. Like Anthony Hopkins in “Nixon”, he channels the essence of his character rather than a dead-on visual interpretation. In recreating King’s speaking voice, Oyelowo resists the preacherly curlicues one might be inclined to use based on hearing King’s speeches. Like any good pastor, Oyelowo saves those cadences for his speech scenes, the last of which is so stirring and powerful it knocks the air out of your lungs. Oyelowo channels a conflicted King, a tired man with the weight of the movement on his shoulders, then merges that with defiance, humor, strength and strategic expertise. In Oyelowo’s excellent performance, King becomes a complex, flawed man whose faith in God kept him from utter despair.

Known for her superb indie dramas “I Will Follow” and “Middle of Nowhere”, DuVernay has proven herself a master of small, intimate moments. “Selma” never loses focus on the interpersonal dynamics between King and his followers, his detractors and his family. While touching base with details on SNCC, the SCLC and the organization of the Selma to Montgomery Marches, DuVernay gives memorable scenes to a wide variety of character actors in real-life roles. Andre Holland’s Andrew Young, Stephan JamesJohn Lewis, Colman Domingo’s Rev. Abernathy and Common’s James Bevel stand out, but eagle-eyed viewers will also notice “Dear White People”’s Tessa Thompson, Cuba Gooding, Jr., Martin Sheen and Wendell Pierce. Even comedian Niecy Nash shows up as a gracious, funny host who invites King and his cohorts into her home.

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